ONLY TIME WILL TELL: The Aerosmith Ballad That Never Was

An old video shared on Aerosmith’s 1997-era website captivated many fans. The clip, titled “stpiano.mov,” featured Steven Tyler wearing a “Toxic Twins” t-shirt, playing a beautiful, unfinished ballad on the piano. The archived video can be found here. Judging by his appearance—reminiscent of the Permanent Vacation/Pump era—the footage likely dates back to the Little Mountain … More ONLY TIME WILL TELL: The Aerosmith Ballad That Never Was

‘ONE TIME’: Aerosmith’s Hidden Funky Gem from the Permanent Vacation Sessions

“One Time” is one of those mysterious tracks that never made it onto an official Aerosmith album but continues to intrigue fans decades later. Recorded during the Permanent Vacation sessions, it was one of the many songs that didn’t make the final cut but still left its mark on the bootleg circuit. One particular version … More ‘ONE TIME’: Aerosmith’s Hidden Funky Gem from the Permanent Vacation Sessions

From ‘Guilty Kilt’ to ‘Out Go the Lights’: A 24-Year Musical Journey for an Aerosmith funky rock song

“Guilty Kilt” stands as one of Aerosmith’s most intriguing unreleased tracks, originating from the early stages of the band’s work on their 1989 album, Pump. Despite its potential, the song remained an instrumental piece, with Steven Tyler never fully completing the lyrics. This left “Guilty Kilt” on the “B list” of songs, ultimately leading to … More From ‘Guilty Kilt’ to ‘Out Go the Lights’: A 24-Year Musical Journey for an Aerosmith funky rock song

‘MAJOR BARBARA’: Revisiting an Unreleased Piece of Aerosmith’s Origins

“Major Barbara” stands as one of Aerosmith’s most intriguing and elusive tracks—a song that, despite its early prominence in the band’s repertoire, remained unreleased on a studio album for years. This Steven Tyler composition not only showcases a different facet of the band’s musicality but also reflects the tensions and decisions that shaped Aerosmith’s early … More ‘MAJOR BARBARA’: Revisiting an Unreleased Piece of Aerosmith’s Origins

Aerosmith’s Journey to Retirement: A Timeline and Speculation on the Future

After more than five decades of electrifying performances and timeless hits, Aerosmith announced their retirement from touring on August 2, 2024. The decision marks the end of an era for the band and its legions of fans. Here’s a look at the timeline leading to this announcement, the possible reasons behind the decision, and what … More Aerosmith’s Journey to Retirement: A Timeline and Speculation on the Future

Aerosmith Mtv Unplugged: A Behind-the-Scenes Journey to a Legendary Show

The Prelude: Rehearsing for a Night of MagicIf you’ve ever wondered what Aerosmith is like behind the scenes, picture this: It’s August 1990, and the iconic rock band is fervently rehearsing for MTV’s Unplugged in New York’s famed Ed Sullivan Theater. For weeks, they were practicing backstage after their regular shows, going through an alternate … More Aerosmith Mtv Unplugged: A Behind-the-Scenes Journey to a Legendary Show

“HOLLYWOOD”: The Many Faces of AEROSMIT’s Industry-Critical Outtake

Aerosmith, one of the most iconic rock bands in history, has an extensive catalog of hits that have defined generations. However, among their myriad of popular songs lies an enigmatic outtake titled “Hollywood.” This song’s journey through different production phases, lyrics, and ultimately its omission from any official album makes it a fascinating subject for … More “HOLLYWOOD”: The Many Faces of AEROSMIT’s Industry-Critical Outtake

ONCE IS ENOUGH / ONE TIME TOO MANY the lost Aerosmith country duet with Willie Nelson that remained unreleased for 16 years!

“Once Is Enough/One Time Too Many” is a song written by Richard Supa and Steven Tallarico in 1987. It was demoed and recorded in Vancouver during the Permanent Vacations sessions. A tape dated 2/16/1987 included a demo, which is likely the slower version that leaked during the mid 1990s in the Permanent Outtakes bootleg. Since … More ONCE IS ENOUGH / ONE TIME TOO MANY the lost Aerosmith country duet with Willie Nelson that remained unreleased for 16 years!

AEROSMITH Leaked 1980’s Home Videos Reveal Stark Reality of Addiction and Band Antics Shot by Rick Dufay and Crew

An Aerosmith private home video, emerging from the Detroit bootleg circuit in the mid-1980s, offers an unfiltered glimpse into singer Steven Tyler’s struggle with addiction and the band’s backstage antics. Predominantly shot by Rick Dufay, who temporarily filled in for Brad Whitford on rhythm guitar between 1982 and 1984, the footage captures both lighthearted and … More AEROSMITH Leaked 1980’s Home Videos Reveal Stark Reality of Addiction and Band Antics Shot by Rick Dufay and Crew

“CLIMBING THE WALL”, “SHE IS ON FIRE” and other early 1985 pre-production ideas Joe Perry recorded

Early in 1985, as the band started to get in the mindset of pre-production for the new album that would end up being “Done with Mirrors”, Joe Perry recorded a few basic riff ideas he had for songs in a simple setup (perhaps not even a studio; this is before the Boneyard existed). Side A … More “CLIMBING THE WALL”, “SHE IS ON FIRE” and other early 1985 pre-production ideas Joe Perry recorded

“1979 ORIGINALS AND REHERSALS” tape with instrumentals of the best of Aerosmith’s early sessions for Night in the Ruts

Night in the Ruts is the sixth studio album by American rock band Aerosmith, released on November 16, 1979 by Columbia Records. Guitarist Joe Perry left the band midway through the album’s recording. Initially produced at the band’s Warehouse rehearsal space by Jack Douglas, it was later finished by Gary Lyons by Columbia Records. A … More “1979 ORIGINALS AND REHERSALS” tape with instrumentals of the best of Aerosmith’s early sessions for Night in the Ruts

“FALLING IN LOVE” the deleted Cheshire Cat on hashish line and the evolution of the demos

“Falling in Love (Is Hard on the Knees)” is a song by American hard rock band Aerosmith that appeared on the band’s 12th studio album, Nine Lives (1997). The song was written by Steven Tyler, Joe Perry, and Glen Ballard, who had signed on to produce Nine Lives but was dropped from the role halfway … More “FALLING IN LOVE” the deleted Cheshire Cat on hashish line and the evolution of the demos

JOE PERRY Duxbury Basement “RUFF RIFFS” from before the Boneyard was a studio

A tape with rough guitar riffs recorded at Joe’s old Duxbury home basement, in Cohasset, Massachusetts, was recorded with a simple tape machine containing 10 riff ideas and variations. The full tape run for 1h41m40s but included extensive blank spaces and the same recording repeated twice, with the second pass sounding lower and clearer. Riff … More JOE PERRY Duxbury Basement “RUFF RIFFS” from before the Boneyard was a studio

“DIME STORE LOVER” the disjointed half-spoken rocker rejected for AEROSMITH’s ‘Get a Grip’

“Dime Store Lover” is an Aerosmith outtake written by Steven Tyler and Joe Perry during the early 1992 sessions at the A&M Records, in Los Angeles, for the first attempt of the Get a Grip album with producer Bruce Fairburn. “Dime Store,” also known as “Dime” and short for “Dime Store Lover,” began its recording … More “DIME STORE LOVER” the disjointed half-spoken rocker rejected for AEROSMITH’s ‘Get a Grip’

“KICK IN THE DOOR” Perry collaboration with The Notorious B.I.G. for Johnny Depp’s movie ‘City of Lies’

Perry’s was involved in five songs for the Brad Furman-directed film, City Of Lies, featuring friend and band member Johnny Depp. These include score with his input and riffs, and new songs co-written with Alberto Bof. One of the songs was “Kick In The Door)” by The Notorious B.I.G., remixed by Brad Furman and Alberto … More “KICK IN THE DOOR” Perry collaboration with The Notorious B.I.G. for Johnny Depp’s movie ‘City of Lies’

“Tickle My Pickle” the Tyler Rhymed Verse Nearly Featured in Nine Lives

“Tickle my Pickle” is a curious audio snippet that, along with “Little Grass Shack”, was a contender for inclusion in Aerosmith’s “Nine Lives” album as late as December 1996. This 29-second track showcases Tyler imitating a Scottish accent, with a few humming backing vocals accompanying the latter part of the verse: We cross the sea, … More “Tickle My Pickle” the Tyler Rhymed Verse Nearly Featured in Nine Lives

“I’LL GET THROUGH IT” the Diane Warren demo Aerosmith rejected in 2006

During Aerosmith’s 2006 outtake based sessions, the band reached out to other songwriters looking for new material; one of them was Diane Warren, who submitted the track “I’ll Get Through It” for the band to consider. Type of Work: MusicRegistration Number / Date: PAu003028641 / 2006-03-28Title: I’ll get through it.Copyright Claimant: The 1992 Diane Warren … More “I’LL GET THROUGH IT” the Diane Warren demo Aerosmith rejected in 2006

“CALL MY NAME” the Joe Perry demo started in the Boneyard in 2004

“Call my Name” is one of the songs Joe Perry started writing in 2004 and considered for his 2005 self-titled solo album. Demoed at Joe’s basement studio, the Boneyard, in mid-April 2004, consisting mostly of a couple of guitar riffs and early ideas for the lyrics. Running at 112bpm, the demo was recorded on top … More “CALL MY NAME” the Joe Perry demo started in the Boneyard in 2004

“EASY” the lost rock-pop B-Side from AEROSMITH’s Just Push Play

“Easy” is a Tyler/Perry/Hudson/Frederiksen collaboration that Aerosmith recorded during the 2000 sessions for Just Push Play, and got to the end of the production line. Former Joe Perry Project singer, Cowboy Mach Bell, reported about a recent meeting with Joe Perry on an AOL fan forum during the Just Push Play sessions in late 2000. … More “EASY” the lost rock-pop B-Side from AEROSMITH’s Just Push Play

“AIN’T THAT A BITCH” 1992 completely different song that kept the original concept

“Ain’t that a Bitch” is an Aerosmith song released in their 1997 album, Nine Lives, however, 3 completely different songs existed with the same name during previous sessions, between 1991 and 1996, as the band explored the best way to make the song justice. One of the alternatives songs written with the same name was … More “AIN’T THAT A BITCH” 1992 completely different song that kept the original concept